As we enter a new reality around COVID-19, there are several low-tech strategies we can use to prepare and to take some stress off of our music programs. Remember: important as our collective worship is, we can “worship God in spirit and in truth” wherever we are, and whether or not our choir learns a …
5 Low-Tech COVID-19 Strategies for Church Musicians (Plus 2 Techy Ones) Read More »
It’s that time of year: the program year has been begun, and it’s time to look back at the summer and debrief. I used these questions to guide my summer debrief:
Pre-planning funerals give you a chance to talk (and live) the Gospel. Here’s how to help church members pre-plan, plus a bunch of advice on funerals and burial in general.
I’m in a new-to-me place: a full-time ministry position with a reasonable expectation of being here for many years. Of course only God knows the future, but with past positions, I knew I would probably move for my husband’s job after a year or two. But with this job, there’s no move on the horizon, …
How to Develop a 5-Year Ministry Plan (And Why You Should) Read More »
Dear Creatives and other people with flexible schedules: I used to work on a lot of different things every day. I would work on my podcast, and my music, and send emails and and and…all on the same day. Oh and that book that I was “writing”? Ha. Yeah, that never got my attention. But …
Theme Your Days for More Deep Work and Less Stress Read More »
How do you design your summer in church ministry? One of my favorite thinkers, Gretchen Rubin, talks about “designing your summer.” It’s a way of intentionally making the season distinct and special. In this episode, Crawford and I talk about what we do that’s different in the summer—from the mundane “file all the choir music …
Have a Wonderful Summer! (plus, job news), on Music and the Church Ep. 23 Read More »
Interview: Dr. Yun Kyong Kim, organist and choir director at Christ Episcopal Church in Dayton, Ohio, discusses her approach to directing a choir while also playing the organ, planning her repertoire and hymnody, and crafting organ recitals to make the most of an instrument’s unique sound and acoustic space.