If you’re in a majority-white American church, singing global songs like “Siyahamba” brings up questions like — “Is singing this cultural appropriation or ethnotourism?” and “What is the relationship between global song and the universal Church?”
Around the fourth of July, we church musicians like to debate whether we should program “patriot music” if the choice is up to us. But the question isn’t really about “patriotic music.” The questions is: should we base our musical choices on Scripture readings only? Or, should we also consider current events and civic concerns …
Current events influence the music I choose. Here’s why. Read More »
For the last few weeks, we’ve been talking about musical virtuosity. This week’s guest is Dr. Birgitta Johnson, Assistant Professor of Ethnomusicology and African American Studies at the University of South Carolina, and the President of the Southeast and Caribbean Chapter of the Society for Ethnomusicology. In this episode, Birgitta discusses being anointed for music ministry. …
What is virtuosity? It isn’t just about the sound itself, but who makes the sound and how they make it. Today’s episode is the third in our series on virtuosity. In the last two episodes, Joshua Busman and I both considered whether virtuosity is or isn’t acceptable—and why—in evangelical worship music and in fundamentalist Christianity. …
Should you play or sing virtuosic music in church? Many fundamentalist Christians don’t think so. This week’s episode is the second in our series on musical virtuosity. Last week, Joshua Kalin Busman discussed how evangelical musicians might tone down the difficulty of their music—balancing their churches’ need for musical “amateurism” with the reality the “amateurish” …
Musical virtuosity in church services. Is it showing off? Giving God your best? Christians often come to opposite conclusions. Today’s podcast episode is the first in a series about virtuosity. We’re kicking off the series by talking with Dr. Joshua Kalin Busman, an Associate Professor at the University of North Carolina—Pembroke. He researches “music in religious …
For many Christians, the Methodist tradition is one of their most important sources of hymnody. Dr. Martin V. Clarke’s new book British Methodist Hymnody explores the roots of this rich repertoire as well as the distinctive features of Methodist worship today. Dr. Martin V. Clarke (faculty page, Twitter) is Lecturer in Music at The Open University and …
British Methodist Hymnody with Martin Clarke, on Music and the Church Ep. 17 Read More »
Ryan P. Harper discusses his new book, The Gaithers and Southern Gospel: Homecoming in the Twenty-First Century. Bill and Gloria Gaither are known for their many hymns like “Because He Lives” “He Touched Me” and “The Family of God.” Between them, they’ve won 6 Grammys. Harper’s book focuses on their Homecomings: in 1991, it seemed …
Let’s Think about Music in the Early Church: What did leaders in the early church have to say about music? Perhaps surprisingly, their general view of music is relatively low. And when they did praise music, they usually qualified their statements.
Interview: We discuss the musical training of ministerial students with Harrison Russin, Lecturer in Liturgical Music and Dean’s Fellow at St. Vladimir’s Orthodox Theological Seminary (Yonkers, NY). He also shares his experience directing a choir in non-metrical chants; surveys the (many!) kinds of Orthodox music heard in churches across the U.S.; and explains why some Orthodox churches …